Manifesto

I am an interdisciplinary artist-researcher working at the intersection of generative arts, experimental music, spatial audio, and Chinese calligraphic embodiment. Rooted in my background as a composer, performer, and technologist, my practice blends Eastern philosophical aesthetics with contemporary digital systems, transforming gestures, language, and data into multisensory experiences.

My creative work seeks to reimagine the temporal and spatial structure of language through interactive performance systems. Projects like Phantom of Utopia explore the transformation of Chinese calligraphy into four-dimensional audio-visual environments, using motion tracking, AI-driven sonification, and immersive media to bridge tradition and innovation. These works interrogate how sound and movement can become tools for storytelling, cultural reflection, and collective imagination.

I approach technology not as a tool but as a collaborator: building custom instruments, generative systems, and extended reality environments that respond to and evolve with human expression. I have led interdisciplinary teams across choreography, visual design, animation, computer science, and music, always seeking to foster shared authorship, experimental inquiry, and poetic form.

In both research and performance, I aim to challenge binaries: ancient and futuristic, analog and digital, composed and improvised. My work is driven by the belief that art can sonify the unseen, spatialize the abstract, and give voice to the culturally entangled narratives often overlooked in tech-driven fields. Collaboration, hybridity, and cultural resonance are at the heart of what I create.